The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.

Pantograph Punch

Alex Taylor, Frances Moore and Alice Canton discuss the nation's latest opera

What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

Kate is a writer, producer, dramaturg and performer working across theatre and film. From 2016-18, Kate was our Theatre Editor, and from 2019-2020 she lead The Pantograph Punch as Director. Kate has worked as a Development Exec at Vendetta Productions, an Arts Adviser at Creative New Zealand, a creative producer for Notable Pictures and holds a Master of Dramaturgy from the Victorian College of the Arts.

Kate is a producer, writer and dramaturg. 

Kate Prior

In Peer Gynt [recycled], New Zealand playwright Eli Kent and the Father of Modern Drama, Henrik Ibsen, go head-to-head

Porn-on-Tap and the Father of Modern Drama: A Review of 'Peer Gynt [recycled]'

Natasha Hay

Natasha Hay talks about the art of collaboration with a range of playwrights who are adept at working in collective devised processes

Landing the Kite by Working with the Wind: Playwrights and Devising

We're excited to be partnering with Playmarket this year to unearth great writing and other gems from their archives, and to showcase our country's best playwrights.

Good to be here, Dargaville! Playwrights Jamie McCaskill, Renee Liang and Jess Sayer on Process

Prison drama Cellfish returns to Silo with a brand new cast.

Bard Behind Bars: An Interview with Miriama McDowell and Jason Te Kare

For the first time ever, groundbreaking British theatre company Complicite performs in New Zealand in March as part of the Auckland Arts Festival. Kate Prior watches their Amazonian epic The Encounter in two different places and times and explores in the undergrowth.

THE PANTOGRAPH PUNCH

THE PANTOGRAPH PUNCH

What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

Everything in: Auckland Arts Fest

What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

Porn-on-Tap and the Father of Modern Drama: A Review of 'Peer Gynt [recycled]'

Landing the Kite by Working with the Wind: Playwrights and Devising

Good to be here, Dargaville! Playwrights Jamie McCaskill, Renee Liang and Jess Sayer on Process

Bard Behind Bars: An Interview with Miriama McDowell and Jason Te Kare

A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together

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.css-dwq9dp:focus{opacity:0.5;}What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

Everything in: Auckland Arts Fest

.css-dwq9dp:focus{opacity:0.5;}What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

.css-dwq9dp:focus{opacity:0.5;}Porn-on-Tap and the Father of Modern Drama: A Review of 'Peer Gynt [recycled]'

.css-dwq9dp:focus{opacity:0.5;}Landing the Kite by Working with the Wind: Playwrights and Devising

.css-dwq9dp:focus{opacity:0.5;}Good to be here, Dargaville! Playwrights Jamie McCaskill, Renee Liang and Jess Sayer on Process

.css-dwq9dp:focus{opacity:0.5;}Bard Behind Bars: An Interview with Miriama McDowell and Jason Te Kare

.css-dwq9dp:focus{opacity:0.5;}A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together

Become a Pal of Pantograph

Read by Category

Your Order (0)

Your Cart is empty

What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

What’s Opera Got That Theatre Doesn’t?: A Conversational Review of "The Bonefeeder"

Porn-on-Tap and the Father of Modern Drama: A Review of 'Peer Gynt [recycled]'

Landing the Kite by Working with the Wind: Playwrights and Devising

Good to be here, Dargaville! Playwrights Jamie McCaskill, Renee Liang and Jess Sayer on Process

Bard Behind Bars: An Interview with Miriama McDowell and Jason Te Kare

A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together