Amit Noy

Kaituhi Tūtahi | Contributing Writer

Amit Noy (he/they) writes, dances, and makes performances in Aotearoa. Their ancestors came from Israel/Palestine, but their whakapapa and own life traces through Argentina, Mexico, and Hawai’i. Amit dances for Michael Keegan-Dolan/Teaċ Daṁsa and the New Zealand Dance Company. They are currently making a series of performances with their family. In Hebrew, ‘Amit’ means good friend.

Everything By: Amit Noy

Performance18.05.23

In Resisting Extinction, the audience was invited to collectively experience ecosomatic practices for living and dying in Te Whanganui-a-Tara’s Central Park. Amit Noy, a performer in this site-specific event, speaks to creators BodyCartography Project on making work in times of ecological grief.

Performance21.11.21

History is Not a Dead Thing

Amit Noy on whiteness, choreography, and the archive in Arthur Jafa’s Love is the Message, the Message is Death and Lisa Reihana’s in Pursuit of Venus [infected].

Performance25.07.21

All Our Cells, Singing

Amit Noy honours the artists of Ta‘alili’s performance Faces of Nature.

Performance30.03.21

Legacy Vogue Ball: Tāmaki Aflame

Amit Noy writes from his heart about the Legacy Vogue Ball at the Auckland Arts Festival.

Performance15.12.20

An overture of bodies, movement and feels, Amit Noy reviews Experimental Dance Week Aotearoa.

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The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.

The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.

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