An Unpredictable Micro-event: On Nicolás Paris
Into Te Ao Mārama: A Review of ‘Māori Moving Image: An Open Archive’
My Big Fat Pākehā Pōwhiri: A Review of Inheritance

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Art

Colombian artist Nicolás Paris is the latest international artist in residence at the Govett-Brewster Art Gallery. His exhibition ko ngā herenga kei waenga i a tātou, lo que nos une, what connects us is a perplexing display of plants, short videos and hanging canopies of driftwood. Megan Dunn talks to the artist.

 

Tool

“Do you want to start here?” Nicolás Paris asked.

“Yes. Is this a tool?...

Art

Chevron Hassett reviews the potential and the future in Māori Moving Image: An Open Archive at the Dowse Art Museum.

“In the beginning was Te Kore, the void. Then came Te Pō, the potential. Then Te Ao Mārama, enlightenment. Such was the creation of the world and the process of the creation of my art.” – Cliff Whiting.

To begin we must understand Te Kore, the void. It is the initial construct, before...

Theatre

What do we inherit? How can we move forward from the violence of the past? Inheritance asks hard questions with surprising playfulness. New Volumes critic India Essuah reviews.

“I don’t know the words,” I hear the person next to me whisper nervously. During a scene in Inheritance, performers Jess Holly Bates (Pākehā) and Forest Kapo (Te Āti Awa, Ngāti Raukawa) turn the theatre’s opposing rows into a...

Featured

Art
An Unpredictable Micro-event: On Nicolás Paris
Art
Into Te Ao Mārama: A Review of ‘Māori Moving Image: An Open Archive’
Theatre
My Big Fat Pākehā Pōwhiri: A Review of Inheritance
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