Is Hell other people, other Pacific people, or something different altogether? Sepe Mua’au considers Victor Rodger’s Uma Lava at Circa Theatre.
Entering Circa Two, we are met with a dark and dingy room lit almost exclusively by red fluorescent lights placed above and around the set; what used to be white walls now drip with mould and filth. A large tapa cloth, dimly lit, hangs stage right and next to...